Just a quick post here. Those that are checking out my images from the new 70-200 VRII might want to take a peak at my buddy Marcus Bell's blog. Marcus is one of the best photographers on the planet, and he was given a D3s to play with from Nikon Australia. The results were staggering. Check out his thoughts here.
A box arrived last Thursday. A box I've been excited about for a while now. I'm incredibly excited to be the first to post any images made with this lens.
Some of these lenses have been out for a while, and I've had some of these in my bag. However, the new Nikon 70-200mm f2.8G ED VRII with Nano Crystal Coat is still a short month or so away from being available and I'm stoked to have one in my bag right now in order to see what it can do.
For those who may know me, or may be familiar with my work, the previous version of this lens has been a staple of mine since it's inception. It's speed of focus, vibration reduction, incredible sharpness, and ergonomics made it indispensable. I've made many images with that lens since 2003. It owes me nothing. However, I was just as fond of my Nikkor 80-200 2.8 before it, I put it aside to make room for something better- and something that could absolutely allow me to produce images I couldn't produce before.
Such is the case with this new piece of glass Nikon has engineered. The improvements are vast. From the Nikon site:
Vibration reduction (VR II) equivalent to increases in shutter speed by four steps
A new optical design utilizing seven ED glass elements
Ghost and flare suppression with Nano Crystal Coat
A Silent Wave Motor (SWM) for superior autofocus that is smooth and quiet
Three focus modes built in: M, M/A, A/M
Aperture diaphragm utilizing an odd number of rounded blades (nine) for natural blur characteristics
Shooting at distances as close as 1.4 m throughout the entire zoom range
High-quality exterior design
Yada, Yada, Yada... LOL. what does it mean to me??? It means the ability to shoot at ridiculously slow shutter speeds, faster autofocus(as if this lens needed to be faster), edge to edge sharpness, no vignetting on FX gear, closer shooting distance, and the nano crystal coat which produces a nearly flare proof lens with contrast and sharpness that I've simply never seen in any zoom lens in my 28 year career(besides the other 2 crystal nano coat lenses in my bag already!!!)
The question will be, for those who are considering this lens- is it THAT much better than the older version. My answer, after only shooting with this lens for a few days now, is absolutely. Below you'll see my first results, in fact, perhaps some of the only images available anywhere at the moment with this new lens. The VR and improved sharpness would have been enough for me.
As an aside, I'd like to disclose that I OWN all of my gear. Every single piece of Nikon equipment I have has been purchased. I have the huge AMEX receipts to prove that. The big box of lenses I just received will be heading back to Japan when I'm finished the campaign shoots, unless I accidentally forget to enclose the new 70-200 VRII with the package(just kidding Soichi-san)!!
If you're an NPS member, get on a priority purchase list if you can. I assure you, with all sincerity, this lens will be well worth the investment, and will be the hottest lens put out by anyone in years!
Here are a few images I've made with this new lens. These are my first impressions, since I've only used it for one wedding-yesterday. The other images were shot the evening I opened the box. I also used it for a few frames while stopping by at Susan Stripling's wedding on Saturday. She's on the NPS priority purchase list as well.
All of the metadata is in tact. Feel free to see for yourselves!!I've also done a comparison by using the older version- the original 70-200VR lens in a few examples and there was considerable movement at the same slow shutter speeds with the older version.
I'd like to add that ALL of these images were hand held... NO tripod. Who needs a tripod now??? I'll post more as I shoot more images. I hope these are informative!
D3, ISO 400, AF-S Nikkor 70-200mm-f2.8G ED VRII- f2.8 @ 1/13th @200mm...yes, this is not a typo
D3, ISO 400, AF-S Nikkor 70-200mm VR- f2.8 @ 1/13th @200mm-The older version
D3, ISO 320, AF-S Nikkor 70-200mm-f2.8G ED VRII- f2.8 @ 1/10th @155mm
Here is a 100% crop of the prior image
D3, ISO 1250, AF-S Nikkor 70-200mm f2.8G ED VRII- 2.8 @ 1/10th @ 200mm
D3, ISO 200, AF-S Nikkor 70-200mm f2.8G ED VRII- 2.8 @ 1/4 @ 70mm
From yesterday's wedding-Wide open- 2.8... no vignetting
Last but not least- This lens is SHARP.. wide open @ 2.8 straight jpg out of camera
I have the pleasure of working at the Park Hyatt at the Bellevue quite often. The staff there is truly incredible and they're first class all the way, every time. Roe called me up a few days before the wedding and wanted to talk about the timeline. Her grandmother, to whom she was very close, was ill and hospitalized a few blocks away. She asked if I could take her there before seeing Joel for the first time on her wedding day. I was truly touched, and I hope I captured the spirit of the moment so Roe can remember it forever. Roe called me up just a few short weeks after the event. Her grandmother had passed away. The image below with Roe and her grandmother smelling a rose from her wedding day was printed for Roe, and was placed in her grandmom's casket. This truly reminds me why I do what I do. Here's a few images from their day.
Jamila and Adam had their event at Cescaphe Ballroom in Philadelphia. CTO provided the entertainment. I think all brides should wear birdcage veils. They're incredibly elegant and I love how my brides look in the images. Jamila and Adam had a gorgeous day with wonderful light. Here's a few from their day.
New Hope PA is such a quaint town. Pay a visit when you can! Holly Hedge Estate has long been a venue I enjoy, and Krista and Richard had a beautiful day there. My buddy Matt Ostroff, from EBE, did his usual great job providing the entertainment. Here's a few from their day.
What a great venue and a nice change of scenery for me. Miriam and Garrett honored my by taking me out west to some of the most beautiful scenery I've ever set eyes upon. The drive from Denver to Beaver Creek alone was unreal. Here's a few from their day at the Bachelor Gulch Ritz Carlton.
Just thought I'd mention that I had a cancellation for 10-10-09. It's always difficult when this takes place. I really like this bride, but perhaps I'll have the opportunity to work with her in the near future. I'd obviously accept other commissions for this date. Please call the studio if interested.
Lauren and Ryan were married at the Crystal Tea Room in Philadelphia. I always enjoy working there due to it's classic architecture and great service. There's a slew of great places to shoot in that part of the city. Here's a few from their day!